Wednesday, April 15, 2015

Beautiful, Dangerous, Radioactive Art


A collection of radioactive ceramic vases is about to go on display in London’s venerable Victoria & Albert Museum. They’re beautiful but deadly as a result of the toxic sludge used to sculpt them, as revealed by Fast Company:
Ceramic vases made from toxic mud created in the production of must-have products such as laptops and smartphones will present a markedly different perspective on consumer technology when they go on show at London’s Victoria & Albert Museum later this month.
radioactive vases
3 finished vases, conceived by Unknown Fields Division and produced with Kevin Callaghan, a ceramics artist, will be on display in the V and A Gallery.Photo: Toby Smith, courtesy of Unknown Fields

The mud was collected from a toxic lake in Inner Mongolia into which thick, black chemical waste is pumped from neighboring refineries in and around Baotou, the region’s largest industrial city (read more about the place described as “hell on Earth” in this BBC story).
China produces an estimated 95% of the world’s supply of “rare earth” elements.
Baotou is one of the world’s biggest suppliers of the materials–elements found in anything from magnets and wind turbines and electric car motors to the electronic guts of smart phones and flat screen TVs.
The ceramics were produced by The Unknown Fields Division, a self-declared “nomadic design studio” headed by Liam Young and Kate Davies and developed within the Architectural Association in London, whose aim is to reflect the shadows luxury products cast across the planet.
“The vases are a way to talk about ideas around luxury and desire. How both are culturally constructed collective sets of values that are fleeting and particular to our time,” says Davies.
“These three ‘rare earthenware’ vessels are the physical embodiment of a contemporary global supply network that displaces earth and weaves matter across the planet.”
Adds Young: “The dominant media narrative about our technologies is based on lightness and thinness. Terms like ‘cloud’ of ‘Macbook Air’ imply that our gadgets are just ephemeral objects–and this is the story we all want to believe.
“In reality, our technologies should really be thought of as geological artefacts that are carved out of the earth and produced by a planetary-scaled factory.”
Unknown Fields travels the world to explore landscapes and infrastructures critical to the production of contemporary cities and the technologies they contain–often forgotten landscapes scarred by consumer demand…
[continues at Fast Company]

Wednesday, April 1, 2015

Guerrilla Radio: How some prison inmates hack, rewire, and retool their radios to create walkie-talkies - See more at: http://disinfo.com/2015/03/guerrilla-radio-how-some-prison-inmates-hack-rewire-and-retool-their-radios-to-create-walkie-talkies/#sthash.E551OQAZ.dpuf


Take notes from this Marshall Project post: you’ll want to retool your radio too come the Apocalypse:
Prisoners face numerous restrictions when communicating with one another or the outside world. But where there is a rule, there is often a workaround. At Pelican Bay State Prison in Northern California, inmates have yelled to one another through drainpipes under their cells; inmates in Texas talk through cans connected with twine; and in facilities throughout the country, little paper notes — known as “kites” — are literally handed off. As technology has developed, so have the communication methods; cell phones and iPods are regularly smuggled to inmates by visitors and guards. And occasionally, the technology is already inside the prison. Some inmates have learned how to transform their radios into devices that allow them to talk to each other and even eavesdrop on guards.
Radionette kurer transi back.png
Once an inmate has purchased an analog radio from the prison commissary (they usually cost less than $30), he can open it up and pull apart a coil, which changes the range of frequency that the radio can access. All the inmate needs to do next is find the frequency that the staff uses on their walkie-talkies. Modifying a radio for two-way communication requires reversing an electrical current to turn a speaker into a microphone. As Ruth Massingill and Ardyth Broadrick wrote in their 2007 book, Prison City, about prison conditions in Huntsville, Texas, “Transforming a radio into a vocal transmitter-receiver requires only a basic knowledge of electronics, a skill readily found within prisons.”
An Insider’s Perspective
In 1976, John Draper, known among hackers as Captain Crunch, was incarcerated at a low security federal prison in Lompoc, California (for phone fraud, incidentally). Upon arrival, he bought a radio from the commissary and re-wired it in the electrical shop so that he could hear walkie-talkie chatter among guards. Because the guards were required to report their movements, Draper was able to know when the coast was clear for other activities — like teaching other prisoners how to modify their own radios. Nobody, as far as Draper knows, was ever caught. “The guards are so clueless,” he says.
That’s less the case today. A correctional officer at the Goree Unit, near Huntsville, Texas, who asked not to be named said staff recently sent a prisoner to solitary confinement after they found that his radio had been doctored. “He could hear our radios and he could transmit out,” she says…
[continues at the Marshall Project]